21 Days/ Day 4

Posted in Uncategorized on July 12, 2009 by sevenstrings

When we last spoke, I, Peru-bound, along with a couple of partners in crime, had lost my passport.

You know how it is when you lose something, and part of your mind just won’t let it go? What the fuck did I do with it? Just now, thinking about that, decades later, and I’m still trying to retrace my steps.

In any case, the very hour of departure upon us, my passport was gone. Sam and Felix took off anyway, and said they’d wait in Lima for me to get there, and we’d go on together to Cuzco. School was out, shut down for the month, so I joined my sister, who was recently out of college and doing the news for a little AM station in Taylor, a little town maybe 30 miles out of Austin.

Yes, Virginia, even in those days we had terrorists — notably, El Sendero Luminoso in Peru, for example, and the Red Brigade in Italy (that’s another story) — and fierce bastards they were, but even so, back then, turning around a lost passport in a few days was not such a big deal — the big downtown post office in Austin was also the Federal Building, and so I got to hang with my wonderfully adult sister and her husband while it got processed, and so it was that inside of the week I was in Lima.

When I got there, I took a cab — all garbed in military surplus clothing and a huge backpack, a study in young traveler — to the Intercontinental Hotel  downtown, where my wealthy cohorts had decided to hole up while they waited for me. Much to my surprise, when I went up to their room, they were packing up and getting ready to fly home.

What’s up, I said, c’mon! There’s plenty of time for us to get the hike in.

And then I noticed bags of cocaine — not a ton, but definitely kilos, which they were breaking up and tucking away, here and there, in the nooks and crannies of their backpacks.

They gently broke it to me that they’d never planned on making the hike with me, and had gone to Peru with, yes, tons of their parents’ money (and full knowledge) to score, secure a substantial profit, and take the rest of the month off, doing whatever it is that languid, corrupt, well-to-do blond people do in their time off.

I say I was surprised, and I was — but not that surprised. I’d met Sam’s parents. I was one of those weird creative kids that rich folks like to sort of adopt, so I been out with Sam’s parents — they’d come up to the school one Friday to whisk us away for a weekend in Dallas of fabulously expensive restaurants in Dallas, along with rooms in a 5-star hotel. Proto-yuppies, they were probably among the first white folks to adopt the SUV lifestyle; I still remember the ride — it was a Ford Bronco. And while we were driving to Dallas, I remember Sam’s preternaturally tanned mom turning around in the front seat, leaning over, and offering us generous lines. A mirror, a coke spoon: the works. Sam’s dad had a tight perm.

There really was a decade like that.

Trying hard not to stare at her impressive breasts, wanting to belong in the company of such casual and easy corruption, that night, in the back of an SUV, I tried cocaine for the first time in my life.

You might wonder how it was that I, so recently removed from Peru, had never tried cocaine. All I can tell you is that in my circle of friends, Peruvian and otherwise, we looked at the drug with contempt as shit the stupid fuckin yanquis did, not at all fit for human consumption.

That is pretty much my attitude to this day, but I have done many foolish things in the presence of good-looking women.

Sam and Felix were a pair, as I said, but they weren’t brothers: Felix had cut a similar deal with his mom and dad, and using my amazing knack for talking my way into unlikely opportunities as their selling point, they had gone to their parents with a deal: fly us to Peru with thousands of dollars, we’ll score big on pure flake (not that challenging, but it showed an admirable, if misguided, fearlessness), sell it to your rich friends, and enjoy tax-free liquidity.

They were done with their Peruvian adventure. I don’t know what the profit breakdown was, but I’ll bet the intra-familial negotiations were intense and thorough.

Meanwhile, this little shock aside, I was thrilled to be back in a real country of real people (I am not, to this day, fully adapted to my own motherland) — but I was concerned for my friends, inexpertly tucking all that coke away here and there in their gear, so I called a guy who knew a guy who knew someone, and so helped them obtain modified Samsonite luggage, shot though with aluminium tubing and false bottoms.

Just as there were terrorists in those days, the Drug War was on — Nixon, I think, actually declared it — but as is true to this day, smugglers were well ahead of law enforcement, and so it was that Sam and Felix, 16, maybe 17 years old, already so confident, so completely corrupt, beautiful, and blond, unlikely burros, left me in  Lima, determined but alone.

With an extra 500 bucks in my pocket for my help.

I say I was alone, but of course I still had many friends there, and I was looking forward to seeing many of them before I hit the trail. My first day there was spent with altered luggage procurement, and I spent the night in the big downtown hotel. The next morning Sam and Felix left, and I called my closest friend, let’s call him Jorge — half Peruvian, half American, the guy who really put me on the musician’s path — and told him I was in town for a minute, let’s hang.

He knew I was coming sometime, but in those days, calling overseas was an iffy and difficult proposition, and of course I’d been delayed. His parents had always really liked me and offered me a bed for as long as I wanted while I got it together to go to  Cuzco and start my (now solo) hike.

So that night, my second night back in Peru, I was staying with my best friend, and we decided to go out, hit a couple of bars.

In those days, at least in the countries I knew,  drinking was a matter of having money, and maybe your chin clearing the bar. We didn’t get carded — no such thing, laughable, even — no one gave a damn. Added to that, all through my youth, my parents often had wine, and I was always free to imbibe — no big deal — so drinking was never a forbidden sin. Added to that, before I became a musician, I was obsessed with martial arts, and you can’t dial in to the exquisite, emasculating-a-fly-with-chopsticks level I (fruitlessly) aspired to if you drink, so I was a clean boy.

T’was your American ways what did me in.

But that night me and my pal decided to go hit some bars  – I’d told him everything that had happened, shown him my wad of dough, and the young sophisticates decided to hit the town.

My dad always drank martinis — his formula was two shots gin, one shot vodka, and you open a bottle of vermouth in the same room (olive optional) — very dry.  A man of the world, an aider and abettor of cocaine smugglers, I figured it was high time I started drinking like a man, so I taught the formula to the bartender at whatever joint we were in (I  remember dark and red and plush — that’s it), and began knocking them back, chilled, bone dry.

At some point, a couple of prostitutes noticed these idiot man-children with money, and joined us. At some hazy point Jorge was simply gone, and I was alone with  masses of black hair and eyes and the – I still remember this much — smallest miniskirt I’d ever seen.

Then I woke up, to someone poking me with a stick.

I opened my eyes to find myself in a bathroom, decorated with a frankly astonishing amount of vomit, a little guy with a mop and the most disgusted expression on his face you can imagine, poking me, trying to rouse me.

In all my life’s adventures, through all the accidents, mishaps, injuries, and illnesses I have experienced, I have never felt so bad. The janitor drove me from the bar and into the blazing morning light (Lima is almost always hazy and fogbound — the light is always diffuse, but that morning it was as though I was cast out onto the surface of the sun). Staggering to my friend’s house, past people going to work, into Miraflores, where he lived, I threw up on every other yard,  on every street corner on the way home. In the magic cocoon that morons eveywhere live in, no policeman stopped me, and I proceded, unimpeded.

I would have begged a policeman to shoot me.

Jorge was at home, an I-got-laid grin on his face, assuming I’d done the same (the truth is I was still a virgin at that point) which quickly faded when he saw me, the very picture of hammered death. He and his mom bustled me in, cleaned me up, and poured me into bed, where I lay for a time at some dreadful precipice.

Later we checked my cash reserve — minus whatever paltry sum I’d spent on booze, it was all still there. I had apparently achieved such depths that the prostitute didn’t even roll me, and the bar closed with me in the bathroom,  howlingly, pukingly, wretchedly, magificently toxic, for the janitor to find.

And oh, I was sick. I have no idea how many martinis I drank. 8? 10? Enough that I was so gross that a prostitute (or for that matter, whoever else was there, I remember nothing) couldn’t bring herself to relieve my inert body of its cash.

I was sick for weeks afterwards. A father myself, now, I know that sometimes teenagers actually overdose and sometimes die from alcohol poisoning, and in retrospect, I think I must’ve been close.

Feeling desperately bad, after a few days I nonetheless dragged my sorry ass to Cuzco, stayed for a few days trying to find my legs, and finally made the hike. February is in the middle of the rainy season, so I slogged the full distance, wet and toxic, and by the time I reached those magnificent ruins I had a new relationship with myself and alcohol.

But that is another story.

When I tell you I don’t think I’m an alcoholic,  I’m speaking truth. If I drink too much — if I go beyond some particular dose — my body just refuses to continue.

And to this day, just the smell of gin is enough to cause profound nausea.

Thus was I inoculated.

21 Days/ Day 3

Posted in Uncategorized on July 11, 2009 by sevenstrings

Last night, I had a long rehearsal over some wide-ranging material over in a neighborhood where I teach a couple of piano students. I mention this because I’ve learned the route well — there’s a grocery on the way home that has a ridiculous selection of beers and ales from around the world. It became another ritualistic part of my life to stop there on those lesson nights and grab a big Belgian.

Last night I stopped in to get Dog Tuatha a chew toy – he’s been so very, very good – and a loaf of bread. The way in takes you right by the whole huge selection, and I just realized I didn’t even think about the delicious assortment.

Almost disappointing. Not a trace of jones. But it supports my actual thesis, so to speak: this 21 day experiment isn’t about liquor, it’s about sleep. And being crazy.

And the sense that I’ve just gone mostly completely wrong in my life.

There are some alcoholics in my family. We’re Irish, over there on me ma’s side, to which ye’ll all be noddin yer heads, I sure.

It runs, like an underground river, though so many families.

While I certainly don’t imagine I was born immune, I’m pretty sure I inoculated myself while still a teenager:

I grew up in Latin America. When I was a junior in high school my dad accepted a transfer from Peru to Shah-era Ahwaz, Iran. Although I lobbied heavily for private school in Cyprus, I wound up, through a series of misadventures, in a private boarding school in north Texas for my final year of high school. One of the features of this school was a complete abandonment of the campus every February for, ah, outreach? Personal growth? This was in the 70s, and I don’t think spring break had been invented yet. Anyway, the entire school (a matter of maybe 100 kids) took off on various adventures – Paris, sailing — like that. I devised a trip back to beloved Peru for a hike along Inca trails from Cuzco to Macchu Picchu.

As you can imagine, it took considerable powers of persuasion to convince both my parents and the school administration that I was exactly the sort of young man to whom one gives that much money and leeway. To make it appear as that I wasn’t just going to go to Peru and fuck around for 3 weeks,

(which of course was exactly my intent)

I enlisted a couple of guys who were similiarly-minded adventurers, adding the appearance of an organized expidition, and by some miracle of bullshit we received both permission and funds.

Sam and Felix were my co-adventurers. They were a couple of languid, privileged blond boys with easy and confident ways. Even so, they were impressed at my audacity, and thus we were embarked.

Just then, right before we were supposed to leave,  I lost my passport.

21 days/ Day 2

Posted in Theme and Variation, Wretched Attributes on July 9, 2009 by sevenstrings

Sure enough, no sleep last night – I went to bed at midnight, clonk, asleep, but then I woke up at 1:30. I tried counting backwards from a hundred, then a thousand, deep breathing, Richard’s opening monologue… finally I turned on the light and started reading. By the time the sky started moving into that indigo shade, I was almost through with this biography of FDR I’ve been unenthusiastically reading for awhile now. Now I wish I’d gotten up and started playing or writing — but it seems likely I’ll have more chances as I move through these 21 days.

Earlier, I was practicing, first guitar, then the visiting upright bass, then an hour of scales on the piano, finally to El Siete, and on little breaks I’d go into the kitchen for a bite, or a glass of tea or whatever, and I’d feel this lift in my step, I could feel my body sort of happily anticipating hop love.

We’re habituated, body and me.

My tendency to habituation has often been useful – as a kid doing martial arts, as a musician trying to keep growing and learning, as a person trying to transform himself into a writer, my loopiness gives me a certain capacity for getting through the hard parts to the rewards. As a child this was something a little… quirky about me. As an adult, it both lets me accomplish huge tasks and  oppresses the shit out of me.

So I told body, sorry body, no ale for you – and body said, eh, whatever

…but you ain’t gonna get any sleep.

21 Days

Posted in Overture, Wretched Attributes with tags , , , , , , on July 8, 2009 by sevenstrings

Well, I’m embarked. I unconsciously started yesterday, but I didn’t really realize it until this morning, so I’m calling this Day One.

I was listening to some podcast — I can’t remember what it was – and they were talking about a month’s significance as an indicator of personal change. The expert type who was talking said that when people embark on a course of behavior modification (dieting, exercise, quitting smoking – whatever), the first shift in actual tendencies happens at 21 days, so a month is a very good marker in monitoring their progress.

This year has marked serious change in my life. That’s the word, right? Everything I’ve ever done in my life, good, bad, industrious, lazy, smart, stupid, cruel, kind – everything has left a far deeper mark on me than I knew. By way of further proof that there is indeed a creator, and she’s a mean bastard, it is demonstrably true that our darker deeds take deeper root.

It is also true that in each new moment the world begins anew, that we are free artists in the creation of our lives, and it may even be true that whatever we wish to change in ourselves will take root with care and time.

Say, 21 days.

Not to put too fine a point on it, early this year I discovered I am a crazy motherfucker – that’s the clinical diagnosis, that’s the word from trained professionals, that’s the wrinkle in the subplot. I don’t think I can uncrazy in 21 days, but what I’m after is quite a bit more manageable – at least I hope it is:

I want to quit getting drunk every single night.

It’s not insomnia, at least not the way I usually hear about insomnia. After, what, 25 years as a road musician, the vast majority of them spent driving from 1 one night stand to the next, a superpower I developed long ago was the ability to pretty much fall asleep anywhere, anytime. For I am Sleep Man.

The problem, as my madness increased, as the malfunction stared spreading through my whole system, was STAYING asleep. Two or three hours, and boing! – eyes open, brain churning, anxiety gripping me like a python, shutting off air, coherent thought, and of course all hope of a good night’s sleep.

There’s a reason torturers quickly turn to sleep deprivation – we all know how debilitating it can be, and when it’s unrelieved, night after night – well, I started to go super double extra crazy. The clinical term for a Sleep Deprived Crazy Motherfucker is Fuckin Nutball, I believe – I’d have to look it up, though.

So sometime prior to actually talking to a shrink, I started tentatively drinking. I’ve never been much of a drinker – really, I came to despise the drug as a musician working (mostly) in bars – what a shitty drug! What an irresponsible high, what a crappy after affect, and what a liver-eater!

But when I do drink, yes, when I do, I like wine and I especially like dark, complicated beer – all those wonderful ales, man. Delicious. So I started drinking a large complicated beer-type thing kinda regularly, and I noticed, gradually: hey, I slept all night! Maybe it wasn’t the greatest 8 hours of REM ever, but 5 or 6 hours of uninterrupted sleep after what I’d been getting? Heaven.

So I kept drinking. Gradually it got to be every night. Then I started raising my dosage, because I discovered I like being drunk – not really drunk, you understand, but definitely high…

As time (and therapy) progressed, I was really getting pretty devoted to it, and I was steadily working my way through the astonishing variety of drugs breweries around the world offer to the dedicated. And in the last 2 or 3 months, I was literally drinking a couple of pints of high-test brew every single night.

You might be thinking, that ain’t shit, or you might be thinking, jeez, that’s way too much – and you’d be right. I have lots of friends who drink considerably more than I do, but I’m a cheap and susceptible date – two pints, and I’m fucked up, Jack.

It got to the point where I was waking up in the middle of the night, not springing awake from madness, but from the profound need to pee, hahaha, and I’d have to navigate myself to the bathroom. I mean I was semi-reeling, man. And it got to the point where there were many mornings (I told you I’m a cheap date) I’d wake up still high and count on the bike ride to work to sober me up.

Mostly, it did, but do that for months and you start getting mighty sluggish…

So I quit. Yesterday.

Actually, I took a week off a couple of weeks ago. And I liked it. I missed sleeping through the night, but  sharpened mental acuity was immediately evident. But when the weekend rolled around I went back to it – oh, hello, old friend, giving me a reassuring grin, making me comfortably numb and a wee bit glib.

But I knew it was time.

I really like the stuff. I love those loaf-of-bread-with-alcohol beers. I know what you’re thinking – same thing I’m thinking – when I say this, but I’m don’t think I’m an alcoholic.

I think I really liked sleeping.

21 days.

It is just so fucking fucked up sometimes

Posted in Wretched Attributes, uncategorizable on June 6, 2009 by sevenstrings

So I’m off tonight, no gig, no students, a house full of dogs,  so I secure everybody and jump on my bike to go grab a few groceries at a small local c-store a coupla miles from my house.

On my way back I cross Airport Blvd. eastbound on Manor, and right in front of this bright yellow bar on the NE corner, right there in the driveway, this girl — young woman? hard to say, exactly — white girl,  blue jeans, dirty, just filthy —  is  on her hands and knees, forehead on the asphalt driveway of the bar, sobbing. Just wailing, in agony. I immediately wheel over and say, are you hurt? Do you need an ambulance? — but she just wails, so I ask her again, and she stumbles to her feet, terrified, and runs away from me. I ride after her, slow, trying to reassure her, but she is shrieking in panic, and staggers away from me again. She’s getting closer to Airport and Manor, and she’s so out of it I’m worried I’m gonna run her into harm’s way in a very busy intersection (two hours earlier, chasing an insane and untrained puppy I was worrying about the same thing), so instead of following her any more, I speed up to the bar’s entrance, where a bunch of guys are standing there, watching.

Have you got a phone, man, has anybody called the cops?

And these lunkhead motherfuckers just stare at me, so I say, lemme borrow a phone, I left without my cell.

Nothing. Motherfuckers!

So I see two guys standing in front of an adjoining business — they’re watching the drama, too, and one of them is wearing rent a cop threads, so I shoot over there.

Man, you got a phone, call the cops, that girl is fucked up.

Naw, man.

Naw what? You ain’t got a phone?

Naw, I ain’t calling the cops.

Well, let ME call the cops, let me use your cell, man.

Naw.

Why not? I say. I’m losing my temper. 30 yards away, and I can hear her wail.

It’s not on our property, it’s none of our business.

CALL THE FUCKING COPS! WHAT THE FUCK IS THE MATTER WITH YOU? AIN’T YOU GOT A MOMMA?

Hey, fuck you, man, don’t talk about my momma.

Jesus Christ!  I fly over

(no more than a couple of minutes have gone by.  It’s a beautiful late afternoon. The moon is almost full, the sun is almost down)

to the pay phone. We still have them, in my neighborhood. Of course, this one is dangling, cut. Screaming at these fucking assholes one last time

CALL THE FUCKING COPS

I pedal home as fast as I can. The flat, indifferent stares of those fucking idiots is giving added strength to my already pretty fucking strong legs, and I get home in minutes, and call 911.

I describe the main stuff first, of course, and dispatch says, white girl, black top, blue jeans, Airport and Manor?

I say, yeah, thank god, you got her, huh?

He says yeah, we just got the call, and I’m still breathing hard, and I need to tell somebody, so I lay it all out, and he says,

man, you would not believe

Happy Birthday, Danielle!

Posted in Uncategorized on June 4, 2009 by sevenstrings

 

flowers for Danni

 

danni_tree

 

 

 

 

 

 

 

 

flowers_1

 

 

 

 

 

 

 

 

 

flowers_2

Pushing it out the door

Posted in Exposition with tags , , on May 26, 2009 by sevenstrings

I’ll bet 7 out of 10 blogs are started for the same reason I started this one, hahaha — a wild stab at the therapeutic, a mad grasp at understanding… as if a blog has some kind of inherent  magical properties.

Well, maybe it does.

 

I quickly discovered a couple of things — I don’t like getting subpsyche — or subcutaneous — personal (so there goes the therapy aspect), and I don’t like keeping it in the narrow range of one topic. 

 

I DO like (love, hate, can’t stop) writing, though, and these pages have served to take care of some of the overflow, but recently I’ve experienced some revelations, and one of them is I want to kick this thing out the door, write in it [more or less]daily, let folks know about it…

of course I have no idea how to do that, hahaha.

 

synapses, OPEN!

blog, get thee out into the world!

How Liss Spent Her Summer Vacation

Posted in Exposition, Life in Music with tags , on May 26, 2009 by sevenstrings

(hear the band live on Aielli Unleashed)

 

 

painting by Layne Jackson from a photograph by Ralph hattersley

painting by Layne Jackson from a photograph by Ralph Hattersley

 

 

 

How I Spent My Summer Vacation
Lissa Hattersley’s new record offers a much-needed holiday

First of all, a disclaimer:

I’m the bass player on this album. Lucky guy — I got to play great songs by songwriters that you may not have heard of, record with an amazing assortment of players you may not know about (unless you’re an Austinite, in which case you’re reading the liner notes and thinking wow whatta band) — and luckiest of all, I got to be a part of Lissa Hattersley’s 1st record as a solo artist!

So those are my bona fides – now let me tell you a little bit about this wonderful artist and the great recording she made.

This album is loooooong overdue, if you ask me (and a lot of other people, too), but in a world where solo records get made so soon, so often, I’m just glad she made it. Finally. I’m already bugging her about making another one.

Lissa Hattersley is from upstate New York, a little town called Canandaigua near Rochester. She’s spent most of her life in Austin, Texas and New York City. The way I get it, she wound up in ATX after her brother Cleve got here, but I’m never clear on what exactly he told her that convinced her to head south. But she did, and became an important part of the odd story of how Austin, Texas became one of the world’s musical capitals. When she got here in the early 70s, Lissa, Cleve and wondrous violinist Sweet Mary (and a revolving cast of sidemen and co-conspirators) formed a band called Greezy Wheels. In those heady days, Austin was already distinguished, if that’s the right word, as one of the nation’s counter-cultural centers. The real nexus of the thing was probably Hippie Hollow, but the enduring symbol was the Armadillo World Headquarters . I won’t go into a history lesson now — besides, you can follow the hyperlinks — I mention this by way of telling you Lissa was the vocalist and mandolinist in Greezy Wheels, essentially the Armadillo House Band

Things just come together like that sometimes: a movement, a band, a place to play. By the time I got here in the late seventies Austin had been permanently altered by a small but incredibly potent group of musicians, artists, and club owners. For me, a young bassist from the wilds of Denton TX, the idea of playing with Lissa or Greezy Wheels was impossibly remote. Greezy Wheels was one of the very first Austin bands to sign with a BIG LABEL, they toured, they held court at Soap Creek and the Armadillo (shoot, they opened for Bruce Springsteen on his first stop in Austin!), they appeared on Austin City Limits – they were the real deal.

The season changed, and with it, Austin, though forever altered, changed, too: the Armadillo became a parking lot, dem ole Greezy Wheels quit turning for a time, and Lissa moved back to NYC.

There she lived, and played, and worked, and made art, and as usual attracted top players to her side for her always too-few gigs. Liss is that kind of musician: players want to play with her, not because it’s steady or cush or remunerative, but because she’s a player, too. 

The season changed again, and she came back to Austin, and continued a life of friends and work and art that always somehow made room for her beautiful singing. 

Wheels are meant to turn — in time, and from adversity, Greezy Wheels returned, that same family core intact, but with a whole new cast of regulars — including me, this time, in the honored bass chair, backing up Lissa’s fantastic singing, so particular, so intimate.

Playing bass behind Lissa Hattersley’s singing gives me that feeling that brought me to the service of music in the first place. Her phrasing, her intonation, her flexibility, her intent listening  when musicians say this about a singer, it’s meant as the highest compliment: it’s like playing with a horn player, man. What that means is she hears the chords, she knows the notes, she feels the time, and she gets the difference between hip and ouch. 
   
Playing with Lissa is like playing with a horn, man. 

The seasons went by in their slow and majestic Texas pace, and — when was it? — a year ago? Lissa told me she wanted to make a record of her own. I immediately offered my services as janitor or brass polisher at the sessions, but, unaccountably, she wanted me to actually play some bass. And she began bouncing ideas for the record off of me, and I watched as she began the always amazing process of creating an album from thin air.

And what an album it is!

I keep calling How I Spent my Summer Vacation a record or an album — by that I mean it in the old school sense of those words: a document conceived and crafted, best taken not just as a collection of songs, but rather a careful collection of compositions, players, and circumstances, all guided with a storyteller’s intent.

Several stories are being told: stories about the progression of relationships (both with others and with one’s self), stories about how sad being alone is, stories about how sad not being alone can be… stories, too, about how exhilarating both states can be — but also, I think, there’s a story woven into the fabric of the recording about Lissa’s own relationship to music, telling us about love and growth and acceptance in an artist’s heart.

Right out the gate there’s trouble: her brother Cleve Hattersley weighs in with his biting and rueful “Love is a Crime Scene” 

 A crime has been committed here/I know the victim’s name/it’s meeee…

 

…and then, in Tony Airoldi’s wonderful “Talking in Your Sleep”, we meet a couple that isn’t communicating very well — at least not while they’re awake.

Then Lissa gives us a little break with her own “Reverie”, a gorgeous and impressionistic song that comes to us on the tail of a moonbeam
…and it’s a good thing she did, too, because now we careen from infatuation (Marc Black’s “Moonstruck Love”, a perfect deer-in-the-headlights-I’m-in-love R&B pop song) to closing time in bars and not quite enough alcohol in Lissa’s own hilarious and funky “There’s No Fool.”

I first heard the great and under-appreciated standard “Shake Down the Stars” lovingly treated by Sarah Vaughan (another musician’s singer), and I was struck by both the desperate loneliness of the lyric and the lush beauty of the composition. On Lissa’s delicately aching version, check out the great solo turns by violinist Sweet Mary Hattersley and guitar great Chris Duarte.

From desperate to defiant, Tex Thomas writes to that part of every musician that’s wild and free, and maybe even a little bit mean, and gets it exactly right: there’s a “Fugitive Animal” in every single one of us… and yep, it’s true, we do take a certain pride in it.

But sometimes even the wild ones get adopted, and Ned Sublette’s beautiful “Nightworker’s Song (Blue Time)”, played in close and moving counterpoint as close as a whisper, is a lovely tribute to small and lasting pleasures.

Next up is another song from her brother Cleve, this one from the early Greezy songlist. ”Peace in the Valley” offers a quiet and gentle vision, a sort of promise of heaven.

When we return to earth for the closing tune, “Whatever Way You Want It” (penned by the late and lamented Dan del Santo), we get The Professor’s ode to cheerful and earthy acceptance, and we realize we’ve been on a journey, and it’s been a memorable one. 

The musicians on this record — well, there are highlights everywhere, but just off the top of my head I’d direct you to the dreamily intertwined horns on “Talking in Your Sleep” and listen to Frosty’s drumming, a sly and knowing percussive Greek Chorus throughout — startling, splendid work. For that matter, check out Paul Pearcy’s groove on “There’s No Fool” — that’s New York funk, Texas style, at once relaxed and precise — there’s no teaching that; it’s a DNA thing.

Or check out the 4 bars of trombone madness from Jon Blondell on “Crime Scene”! — or dig John Mills, featured throughout, delivering one great, stirring solo after another, as well as contributing all sorts of cool little ensemble touches. Mills is a miracle, and not just a minor one, either.

Chris Gage not only co-produced, engineered, and mixed the record, but evidence of his stunning musicianship can be found everywhere — piano, guitar (check out his scary dog guitar on “Fugitive”, or his perfect piano dialog with Lissa in “Reverie” – that’s the same musician! Great player, and a joy to work with.

Oh, it goes on and on. It’s a killer record. Lissa would be the first to tell you if it is, it’s because of everybody’s contribution, and that’s true enough, I suppose. But I was there from its first little glimmer, and I can tell you: this is Lissa’s record, through and through. The songs weren’t yet chosen, and she had little or no idea how, when, or with whom, but what she described to me then is what you have in your possession now: a record of songs by writers she loves and wants to honor, played by players she loves playing with — or knew she would love playing with  if she could just get up the nerve to call them!

Well, she called, and they came, and we all played, and at last, at long last, it is my great pleasure and honor to present you with Lissa Hattersley’s debut as a solo artist.

How I Spent My Summer Vacation

White Beam, Part 1

Posted in Uncategorized on April 30, 2009 by sevenstrings

Believe me when you hear my voice
in your dreams
this intrusion is necessary for both of us.
Deliver yourself from anger and be satisfied
with the ending of certain creations.

Coincidence is just another fancy step.
(have you ever watched my feet?)
All individuals move in a special way,
and I’m learning all the time.

Some cleaning requires water.
Some cleaning requires sand.
Some cleaning requires acid.

In the end,
when you’re down to your bare bones,
you will be totally free.
Then, one day–while shopping,
you’ll hear the music of Charles Mingus.
You’ll see me in lane 2-B,

tap dancing

really giving it hell

– Paul Scott Patterson

extra hours

Posted in Life in Music, Theme and Variation with tags , , on April 7, 2009 by sevenstrings

6 2 * Schoenberg always complained that his American pupils didn’t do enough work. There was one girl in the class in particular who, it is true, did almost no work at all. He asked her one day why she didn’t accomplish more. She said, “I don’t have any time.” He said, “How many hours are there in the day?” She said, “Twenty-four.” He said, “Nonsense: there are as many hours in a day as you put into it.”

John Cage — Indeterminacy

Turns out you can add hours of sleep to whatever limited-ass sleep-deprived regime you might have decided to try and subsist on because perhaps you’ve decided you can, oh, I dunno, master guitar, piano, keep on bassin’, get a little drumming technique, write, work, immerse yourself in politics, and occasionally talk to other humans (you probably don’t do that much; you probably should). And be in several bands. And have a job or two or three. Oh, and walk your dog.

I don’t know what kind of psychopath would take all that on, but if I did, I’d be happy to tell him what I learned, exhausted, last night: you can emerge into semi-consciousness, peer at the clock, will it backwards to an earlier time, and go back to sleep. This incredibly valuable technique (oh, I wish I’d discovered it sooner!) allowed me something like 20 hours of sleep in the narrow-ass 4 hour window I allotted myself… once I figured this out, I kept working the clock backwards, and this morning, at 5:15, I arose, refreshed, recuperated, and rejuvenated.