
Coltrane's Sound
It’s round about midnight. I’m listening to Coltrane’s Sound. I’m a few sips into my second pint of a tough IPA, my first in 3 weeks. It’s 21 days, and I’m deliberately getting drunk.
I was in the studio Saturday night. Liss brought some wine, and I had a couple of glasses over the course of the evening. Whatever. Nothing ever turns out the way you expect it too, does it. Going into this, I was sure I was going to be all weird and crave-ey, but it turns out I like iced tea and coffee better than anything, hahaha. If I really wanted to do an addiction diary, I’d quit drinking coffee.
That is not going to fucking happen, hahaha — you can peel the coffee cup from my cold, dead fingers.
I quit smoking cigarettes awhile back — I’m terrible with years, dates, but I want to say it was probably millennial, so maybe 9 years ago. I’d quit before,
It’s easy to quit smoking, I’ve done it hundreds of times.
–Mark Twain
but finally I just reached that point, and I quit. Here’s how: every time I jonesed, I’d hit the floor and do pushups till my arms gave out. After awhile (my dose tended to a pack a day, usually — that’s a lot of pushups), I associated the jones with that particular noodle arm feeling and man — ¡no mas! — I also started having a sort of Mighty Mouse chest, hahaha, see what happens when you do 1,000, 1,500 pushups (or whatever — a lot, I’m serious).
Maybe I hoped drinking was my problem, in a way — this is the enemy, this is the thing to conquer.
Turns out it’s not. I like drinking good wine, good beer, but not really anything else, and I definitely don’t want to drink every day, or anything like every day. It slows me down too much.
This is what I need to do: I need to do significant work.
That’s all.
Drunk, sober, straight, high, here, there, wherever, however – I need to do significant work.
Elvin just played that tom roll at the end of Satellite. Coltrane quit — Monk flaying him every night at the 5 Spot was enough to do it, finally, the elevator shaft, stomach-in-throat feeling was enough for Trane, and he quit.
Right now, I’m going to pick up my bass, and I’m going to work on Giant Steps. Arbolito said I should put it on a record, and I think he’s right. When I can play it to my [conditional] satisfaction, when I can play Donna Lee (nope, I’m not going to include it, it’s just how I’ll know it’s time) on guitar and piano as well as I play it on bass, I’m going to start recording.
And in the mean time, sober as a drummer in a blues band, drunk as a Tibetan monk, I’m going to work.
Real hard.
